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    Home»Movies»Every ‘Godfather’ Reference in ‘The Sopranos’
    Movies

    Every ‘Godfather’ Reference in ‘The Sopranos’

    AdminBy AdminJanuary 31, 2025
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    Every ‘Godfather’ Reference in ‘The Sopranos’

    The Sopranos is unlike anything you’ve seen before, except it’s a little like something you’ve seen before: The Godfather trilogy. The HBO show premiered on January 10, 1999, and it didn’t take long for it to revolutionize television. Viewers were used to seeing heroes, then here comes a family guy who gleefully garrotes an old foe while helping his daughter look for a college. And a mob boss who went to therapy and wore shorts? That was also new.

    The Sopranos Poster


    The Sopranos

    Release Date

    1999 – 2006

    Network

    HBO Max



    Stream


    The Cosa Nostra drama not only seemed different from any other show on TV but also different from other mob productions that came before it. However, upon closer inspection, one easily notices numerous references and Easter eggs to Francis Ford Coppola’s famous trilogy. The Sopranos might not have characters walking around in fedoras and long coats, but its fictional world isn’t too different from that of Michael and Vito Corleone. David Chase clearly adores The Godfather, and that’s a good thing. Here are a few notable references.

    10

    The Mortician

    Tony doesn’t shed a tear when his mother Livia dies, given how annoying she was, but he tunes his emotions enough to make it look like he is grieving. In Season 3’s “Proshai, Livushka,” he heads to the funeral home where the mortician, Mr. Cozzerelli, promises him that he’ll use all his power and all his skills to prepare the body and make it look decent. In The Godfather’s heartbreaking “Look how they massacred my boy” scene, Vito Corleone orders the mortician to “use all his power, all of your skills” to make Sonny’s bullet-riddled body look better.

    Tony Is No Angel

    The funeral parlor scene from The Sopranos reminds us of who Tony is. Unlike the compassionate Vito, Tony is uncaring. Vito wants Sonny’s body to be polished because he doesn’t want the young mobster’s mother to see it in its horrifying state. Tony, on the other hand, doesn’t care that Livia might be loved by some people. He tells the mortician not to “go crazy.”

    9

    Tony Gets Attacked After Buying Orange Juice

    Tony’s war with his uncle, Junior, was pointless, but it happened anyway, and almost resulted in the lead character’s death. In Season 1’s ‘Isabella,” Tony gets attacked by two hired hitmen after buying orange juice. Tony survives the whacking attempt, a clear homage to The Godfather where Vito gets shot while buying oranges.

    The Underworld Is a Dangerous Place

    Both scenes suggest that oranges signal doom in the world of the mafia and that no one is ever safe. Additionally, the scenes are nods to real life, where most mob bosses get whacked when they least expect it. In the case of The Sopranos, it’s nice to see a mob boss who has a high awareness level and knows how to protect himself. He doesn’t let his guard down, assuming everything will be okay.

    James Gandolfini as Tony Soprano in a scene from The Sopranos

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    8

    Silvio Talks About “Our True Enemy”

    DiMeo crime family consigliere Silvio Dante (Steven Van Zandt) enjoys doing impressions of the older Michael Corleone from The Godfather III. In Season 2’s “Funhouse,” we see a more clever reference. As Tony is having another fever dream that suggests Big Pussy might be an FBI informant, Silvio appears and says, “Our true enemy has yet to reveal himself.” The same line is said by Michael Corleone, and Silvio just happens to be wearing Al Pacino’s brick red cardigan.

    Spotting the Rat

    Tony’s dream, as a whole, helps pave the way for the outing of Big Pussy as a “rat.” Through Silvio’s words, Tony gets the idea that the family’s biggest enemy might be someone from within. All along, he believed that everyone around him was fully loyal. Thanks to the dream, he gets the urge to head to Big Pussy’s house and search for wires. And he sure finds one.

    7

    The Gun in the Toilet

    In Season 5’s “The Test Dream,” Tony walks into a restaurant’s bathroom together with Detective Vin and reaches out for a gun behind the toilet, but, to his surprise, it isn’t there. The scene is similar to what Michael Corleone does before killing Captain McClusky and Virgil “The Turk” Sollozzo (two of the Corleone crime family’s biggest enemies) in The Godfather. The two agree to a meeting with Michael at a restaurant, unaware that the youngest Corleone crime family member has hidden a gun behind a toilet, which he is about to use to kill them.

    A Sign That Tony Will Be Defenseless

    Tony’s dream occurs just as the war with the Lupertazzi crime family is about to begin. His failure to find the gun is a sign that trouble looms, and Tony will be unable to either defend himself or those around him. Soon, the war begins, and just as the dream suggests, Tony’s efforts to establish peace don’t yield much. His closest associates like Bobby and Silvio get harmed, while Tony himself probably ends up dead in the finale.

    6

    The “Moe Greene Special”

    When Christopher and Brendan botch a heist, the hierarchy reacts. The former is subjected to a mock execution as a way to warn him, while the latter is shot right through the eyes while he is in the bathtub, since he is less important to the family. Brendan’s killing points to two Godfather scenes. In The Godfather: Part II, the traitor Frank Pentangeli (Michael V. Gazzo) slits his wrists in the bathtub. Later on, Moe Greene is shot through the eyes for trying to challenge Michael’s authority in Las Vegas.

    Paying for Mistakes, the Harsh Way

    In The Sopranos, Filone’s body in the bathtub is positioned exactly like Pentangeli’s in the bathtub. Moe Greene, on the other hand, is shot while he is having a massage. It’s all a reminder that one can never have peace in the Cosa Nostra if they mess up, or become disloyal. Someone is always likely to show up and put a bullet in their head.

    5

    The Son Plots Revenge

    AJ and Tony don’t exactly like each other, but when Tony gets accidentally shot by Junior, AJ’s love-for-papa surges. He foolishly decides he’ll walk into Junior’s nursing home and shoot the man. When Bobby and Christopher try to dissuade him, he argues that it’ll be “difficult but not impossible.” Rocco says such words in The Godfather: Part II when he and Michael are planning how to whack Hyman Roth.

    Anything for Daddy

    AJ’s line marks his evolution from a cowardly loafer to a responsible person. For the rest of Season 6, we watch him get his life together. His mini-revenge mission is also inspired by Michael Corleone’s plan to get revenge against the people who had his father shot. AJ never makes any progress, but it’s nice to watch him act tough for a second.

    4

    Abandoned House

    Season 5 of The Sopranos and The Godfather: Part III each open with the views of abandoned homes of their central characters. Michael Corleone’s famous Lake Tahoe home is empty and Tony’s New Jersey mansion has no one inside.

    The House Is No Longer a Hit

    The shots of both houses are a reflection of the family-related choices that the characters make. Michael ordered the death of his reckless brother, Fredo, so he no longer feels comfortable living in Lake Tahoe. Tony, on the other hand, dived deep into infidelity, causing him to split with Carmela. Now that he is no longer around, the home has fallen into a poor state. Additionally, this is a moment of foreshadowing, letting us know that Tony will also cause the death of a family member (Fredo), later on.

    3

    Stage Performance

    Meadow is the eager beaver of the Soprano family, and in Season 1’s “Denial, Anger, Acceptance,” we watch her perform the traditional Christmas carol “All Through the Night,” during her final high school choir concert. Tony watches her proudly, the same way Michael Corleone watches his son in The Godfather: Part III.

    The Cosa Nostra Is All About Family

    Many of the greatest gangster movies emphasize the importance of family, and The Godfather: Part III, and, it all stems from real-world culture, hence the reason The Sopranos also embraces it. As tough as a mob boss might be, he cannot help but feel emotional whenever he sees his child achieve something. As a viewer, you are likely to be proud too.

    10 Harsh Realities of Rewatching The Sopranos 25 Years Later

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    2

    AJ’s Friends

    AJ’s friends make Godfather references twice. In one scene, he brags to his friends by telling them how his dad is a Don, and as they pass through Satriale’s Pork Store, Patrick (played by a young Paul Dano) compares it to Genco Olive Oil (Don Vito Corleone’s front in The Godfather). And in another scene where AJ vows to never go to the army, one of his friends jokes that his father will put a horse’s head in some senator’s head, referring to how Vito arm-twisted a Hollywood producer.

    The Children Are Proud

    Tony’s open “mob secret” is one of the confusing aspects of The Sopranos. Ideally, his children should never know what he truly does for a living, unless he is planning to groom one of them for the business. Yet, early in the show, we see that his children already know. Then their friends also get to know. Isn’t “this thing of ours” supposed to be a mystery? We still love The Sopranos, despite its few flaws.

    1

    Wedding Requests

    Johnny Sack’s daughter gets married in Season 6’s “Mr. & Mrs. John Sacrimoni Request…” During the wedding, Christopher suggests that Tony shouldn’t refuse any request from Johnny on his daughter’s big day, as shown in the opening scenes of The Godfather. Tony corrects him, stating Johnny is the one who shouldn’t be refusing any request.

    Christopher Didn’t Pay Attention

    Christopher didn’t pay attention to the Francis Ford Coppola movie, where it’s implied that a mafia Don is at his happiest during his daughter’s wedding. Hence, he says “yes” to every request. That’s the reason people are shown lining up outside Vito’s home office, waiting to ask him for favors.

    Originally Published Here.

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